Showing posts with label Raleigh Little Theatre. Show all posts
Showing posts with label Raleigh Little Theatre. Show all posts

Tuesday, November 15, 2011

The Peculiar World of the Theatre

I haven't had much of a chance to review School House Rock Live! (a musical I was recently in) as of late, what with school and such. I also returned to Silent Forest, which is where I worked last year: a seasonal Halloween-type job in which I am payed to scare people. What could be more fitting? Anyhow, the musical went well, and I learned a few, erm, interesting things about the beings who inhabit the theatrical world, both on- and offstage. One is an odd sort of game called Stomp. It was intended as a "focus exercise," I believe, but the rules were only explained very briefly to me. Nobody ever told me the full set, I don't believe, seeing as another rule was introduced to me each time in the form of my being "out." Once out, the object is to sit on one's ass and do absolutely nothing, aside from breathing, existing, etc. I don't bore easily, but I do get the sense of time and productivity. The feeling of wasted time irks me on an intellectual level; I consciously become focused on what I potentially could be doing, as opposed to one's traditional boredom. Now don't get me wrong, I love the concept (mostly for the Grendel jump, as I call it), but I'd like to be "in," you see. Don't get me started on the Slagar pounce, also called the cat leap or feral dive. Oh, and Slagar is a fox in the Redwall series. Evil but really cool, especially the audio book's voice actor. May you rest in peace, Brian Jacques.

Another quirk among theatre folk - even the realistic and sensible ones, is one I first heard of in Applause!'s As You Like It with Star Wars costuming, or rather, in the informational pamphlet. A very good friend of mine, if I may be so bold, previously starred as the titular character in another Shakespearian work many years before we met. Yet it only hinted at this years-past performance. When I took my stage combat class at Raleigh Little Theatre, our instructor (the absolutely brilliant Mr. David McClutchley) referred to it as "The Scottish Play." Yes, I speak of Macbeth. And aye, I feel no fear in writing or uttering the corrupted king's name. I immediately said, "What, you mean Macbeth?" - much to the panic of a few fellow trainees, one of whom went on to perform in School House Rock with me. Apparently, as some legend goes, the Globe Theatre burned down during a performance of Macbeth. Therefore, people assume it is the root of theatrical harm. Posh! is what I say. Granted, there are forces in this world and possibly beyond, ones I don't comprehend, but I think Macbeth (that's four) is a harmless title villainized by the silly geese who need an explanation. I called a myth and one fellow actor replied that it is actually a legend. I politely refuted by explaining that a legend is a tale with so many parts added on that no one alive can discern between fact and fiction, such as King Arthur of Robin Hood. The Globe burning, I suppose, supports that bit. But a myth is used to explain occurences by making things up and then believing them. It was done by Greeks, Romans, Nordic/Scandinavians, and even Christians. Hey, do you really know where Jesus Christ's body went? Exactly.

The name of Macbeth (5) is often attributed to dramatic malfunctions. One chap even said that it's been proven due to multiple occurences. (Um....) But that's not logical scientific proof. Just because something is frequent with the association of another, if one has no solid proof, then it ain't fact! Theory is closer, I think. I heard a story once: scientists gave one hundred people blindfolds and had them eat steak. Fifty steaks were unmolested in every way, while the other fifty were dyed green by a harmless coloring. Upon removal of said blindfolds, most (if not all) of the greensteakers became ill and vomited. The lesson is that the mind affects the body in odd ways. One young lady, a truly exceptional actress, writer, guitarist, and singer (how does she do it??) informed me that the bloke who once played Count Dracula, in that very same vampire play, banged his head on something or other after someone said Macbeth (SIX!). It becomes apparent to me that he must have believed the rumor as well, and therefore whacked his head because his "backstage" mind caused him to do so. I have suffered no unusual injuries, and I think I know why: logic! Don't get me wrong, I love unnatural things, but this seems to me like an odd game of wits and trust. I've said Macbeth so many times I've lost count (VII is what is here). The only reason I refrain from using it to its fullest extent, in the theatre, with acting folk, is for the sake of everyone's sanity (even mine) - I love controversy, but people take Macbeth [huit] way too seriously. When I asked the guy who actually played Macbeth (numba nine!), he explained it about as much as he explained Stomp.

Now enough Macbeths!{X}

I really ought to be in bed, as I have school and it is past midnight, but my thoughts are flowing and I think I'll get them down before they fly away. What comes to mind when I say that you just lost the game? You might say "Darn!" or "I don't play the game," or "The game is stupid and childish." Allow me to assist your achievement of clarity. The game is something all things play, whether they know or not, whether they choose to admit it or not. But you don't have to lose upon realization, the way I see it. It's not stupid or childish - not in the right context. It's about over-focusing on life. If one overthinks things, one loses track of time and reality. There needs to be a healthy balance betwixt think and do. I tend to think a lot, so I need to do more. Many people, however, are concrete divers: they pay no heed to their surroundings and just act on impulse. I say it's OK to "lose" as long as you know what it really means.

I must away! Macbeth Eleven, ha!

Love,
Lewis

Friday, November 11, 2011

I Will Survive!

"Nothin's over while I'm breathin'!" - Quaritch (from James Cameron's Avatar)

"My best advice is...survive." - Haymitch Abernathy (approximate paraphrase from memory)
"You may kill me, but you may never insult me." - Captain Jack Sparrow

"First ya hate 'im, then ya respect 'im, then ya kill'im!" - Monty Python's "Mosquito Hunters" sketch

"Nice people finish last." - Dunno who said it

"Slow and steady wins the race; fast and steady wins it better." - My sister Laura

"You really don't stand a chance." - Mr. Ollivander

"Some say to survive, you need to be as mad as a hatter, which, luckily, I am." Johnny Depp as the Mad Hatter

---

I consider it plausible that at least some of you have wondered where the hell I have gotten to. Why has Lewis not been updating? I'll tell you: my laptop was malfunctioning so we took it into the Geek Squad at Best Buy. They waited a week before telling us what was wrong, and almost three more weeks to supposedly fix it. When I received said computer, it didn't seem that they had done a freaking thing. So we sent it to them again last week (not my idea) and there it has remained. I began to resort to scribbling poems in journals and such and emailing myself documents. Many people would have despaired long ago due to lack of technology, but I found ways around it. I think I am fully capable of surviving without Facebook and all that, although I prefer my stories typed. And iTunes should be an online thing, like the Amazon Kindle, in which the device is hooked up to the account.

As I said, many people seem to be digitally reliant. While I have an appreciation for computrical things, I don't make horcruxes out of them (couldn't resist an HP reference). I suppose a nod to the One Ring would also be appropriate. People who pour their beings into devices are leaning on a crutch, which, when broken or stolen, will drop a person to the ground. Rising might be difficult. In my stage-combat class this past summer, which I took for a week of five days at Raleigh Little Theatre, we had several balancing exercises, which I now realize apply not only literally, but metaphorically as well. I am a survivor. I do not need many material things, and I try not to put down an excessive amount of roots anywhere (unless they transmit signals for when I depart, like neurons or whatever).

I want to travel the globe, and I'll probably only take a few pairs of clothes, something to read (Kindle?), something to write on as well as a drawing pad and utensils, a camera-camcorder combo, possibly my phone, and a laptop if I have one then. Bloody Geek Squad.... Anyhow, it's not insane to think the aforementioned might be one device soon. Something on which to read; write; capture; record; draw; print; call; view things such as time, temperature, cardinal direction, map, altitude, date, and so forth; shine a light; and resist things such as shock of impact and water in the circuits. I am aware that many of these things are already combined, and that it might be pricy, but all in one would be good, and saving pennies might be prudent. But with or without this potential life-saver/-destroyer, I shall survive. I have a certain proclivity for it. That's the same reason I don't smoke or drink or do other drugs in the common sense of the word.

Much love to you all (and may the odds be ever in your favor),
Lewis M. Winter

Sunday, August 7, 2011

Theatrebreak

"Who says that I am dead knows nought at all." - Brian Jacques, Redwall

"It is a hopeless endeavour to attract people to a theatre unless they can first be brought to believe that they will never get in." - Charles Dickens

"The adrenaline of a live performance is unlike anything in film or theatre. I can see why it's so addictive." - Gwyneth Paltrow

"The atmosphere of the theatre is my oxygen." - Placido Domingo

Last night I finally made it to some of my friends' rendition of Shakespeare's As You Like It...with Star Wars characters. It was rather amusing to listen to the wit of the clown, and inspiring to watch all of the sword fights, especially the one in the prologue where everyone was fighting with lightsabers. Epic! I found that rather inspiring, which was what the lady in charge said she had hoped. I'm glad they at least know me now at the Applause! theatre. I know a certain fellow who acts in it - very well, I might add - but was rather discouraging many months ago upon my asking about theatre life. He told me the very opposite of anything helpful, which was that I am too old and not serious about my acting since I have no experience.

Now, let's break that pompous statement into three parts. One: I'm too old. One of the above-quoted, Gwyneth Paltrow, was a few years older than I am now when she started. And she's in many movies now, and a damned good actress. I am not seeking Hollywood; it might be nice, but for now I am contented to act and sing on the stage and on local films. Maybe indies someday. My uncle is over fifty years of age and was in a scene from some show with Dan Aykroyd. He also sells cars to John Rhys-Davies. I say, it's never too late unless one is dead. And who says that I am dead knows nought at all! Two: I'm not serious about it. He says that about just about anyone not in Applause!, regardless of other factors. I've known some very good performers who never played with them. It's like saying those who aren't published by a certain house are not serious writers. I am more serious than ever now and I look forward to minoring in theatre and creative writing once I hit college in a few years or so. I plan to act until my bones rot - or burn. I've thought about cremation, but I try not to think of my own demise too often. It should be far away, despite my fascination with death. Three: The bloke claims I have no experience. Wrong again, sir. I rehearsed for a school play in fourth grade before being kicked out - don't remember why, but hey! - I was a kid, so that's that. And in fifth grade I played brave, brave Sir Robin from Monty Python and the Holy Grail and got thrown from the Bridge of Death. How awesome is that?

I will certainly audition if able for the next Applause! play, and the next and so on. I don't let people like that stop me because I'm serious about my acting. I have a camp at the Raleigh Little Theatre starting tomorrow and they seem pretty interesting so far. I plan to join my school's drama club come this school year. And I'll most likely make Applause! at some point. It will be grand to make my return to the stage at long last, and to stay there.

"Fin,"
Lewis